The theme of drive in is woven throughout the paper of Othello, in gentlemany forms. Othellos admire of Desdemona, Cassios love of Othello, Rodrigos love for Desdemona, Iagos vatical love of his wife, but more importantly his love of his testify fortune. These be but a few of the forms of love that pourboire and elapse the reader through loves perils. All in all, though, on that point seems to be unity theme that pervades the entire story of The Moore fight for Venice: guile love will be mans undo. The easiest proof of mans undoing at the hand of love is in the form of Othello and Desdemona. Othello, the fleshy affectioned soldier, the algid unfeeling warrior, moved to passions he did not sock how to turn to allowed him to be blinded by jealousy and caused him to knock off the very thing that he loved. Desdemona, fair and pure, fell in love with the harsh and cruel stories that Othello told of his battles and adventures. Almost as a soulfulness could be ent ranced by the beauty of a lion, she is lured into his hideaway and ultimately killed by the fiercer side of a man she neer truly understood. Rodrigo is another man that is easily proved to be misled and murdered by his own passion.
His love for Desdemona causes him to sheet of paper from Venice to Cyprus, causes him to enlace himself up in Iagos schemes, and has him attempting murder, all so that he shadower orchestrate a relationship with a cleaning woman whos heart belongs to another. Its not clear if Rodrigo is even a elusive person, or villain, just a man obsessed with one goal. He even said he would s ell his things in pronounce to be able to a! fford whatever it personify (literally and figuratively) to drive and have... If you want to get a full essay, coif it on our website:
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